
EXHIBITION CATALOGUE
about the installation by Benjamin Zuber.
ART DIRECTION & EDITORIAL DESIGN ‡ with BENJAMIN ZUBER
②⓪②③–②⓪②④
Sculpture in public space Aluminum tubes and connectors, 3d printed elements, cables [ 550 × 250 × 250 cm ]
In the direct vicinity of the iconic and highly eclectic building ensemble of the Wildbad conference hotel in Rothenburg ob der Tauber, GROWING ON SUSPENDED MYTHOLOGIES has been permanently installed as part of the sculpture garden there since October 2021. The builder of the Wildbad was Friedrich Hessing, who rose to prominence at the end of the 19th century with the invention of the orthosis and the establishment of an orthopedic institution in Augsburg. For me, this context was of course a welcome invitation to continue my artistic research on the potential of physical injury or illness - or on the fragility of human life in general - with this work as well.

The catalog can be read from both sides. Opened from the front, the contents begin with the afterword and guides the viewer through further works by the artist via pages of quotes. Opened from the back, the catalog begins with the foreword and, shows views of the artwork, "Growing on Suspended Mythologies", distributed throughout the contents.


















(growing on suspended Mythologies)
EXHIBITION CATALOGUE
about the installation of
Benjamin Zuber
GRAPHiC DESIGN &
EDITORIAL DESIGN ‡ with Benjamin Zuber
②⓪②④

Sculpture in public space Aluminum tubes and connectors, 3d printed elements, cables [ 550 × 250 × 250 cm ]
In the direct vicinity of the iconic and highly eclectic building ensemble of the Wildbad conference hotel in Rothenburg ob der Tauber, GROWING ON SUSPENDED MYTHOLOGIES has been permanently installed as part of the sculpture garden there since October 2021. The builder of the Wildbad was Friedrich Hessing, who rose to prominence at the end of the 19th century with the invention of the orthosis and the establishment of an orthopedic institution in Augsburg. For me, this context was of course a welcome invitation to continue my artistic research on the potential of physical injury or illness - or on the fragility of human life in general - with this work as well.


The catalog can be read from both sides. Opened from the front, the contents begin with the afterword and guides the viewer through further works by the artist via pages of quotes. Opened from the back, the catalog begins with the foreword and, shows views of the artwork, "Growing on Suspended Mythologies", distributed throughout the contents.


















